Death of the Critic

February 2016

LGBTQ Hip Hop: The Tantalizing Problem of Labeling

Written by: Tom Blaich

Historically speaking, rap music has always been a way for a marginalized group to express themselves creatively. And in the recent years of civil rights questions surrounding the GSM (Gender and Sexual Minority) community, we can see a surge in the number of rappers that identify in that way trying to take their feelings and reflect them onto the world through their music. Rappers like Zebra Katz, Contessa “Cunt Mafia” Stutto, Angel Haze, Big Dipper, Cakes da Killa, House of Ladosha, and others are leading the so-called “homo hop” or “queer rap” movement into the 21st century. But there are problems that are associated with taking this talented group and applying this label to them. Read More…
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Sunday Candy: A Short Film - Review

Written by: Tom Blaich

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I’m a huge fan of Chance the Rapper. His mixtape
Acid Rap will always hold a special place in my heart. So last year when he announced his project with The Social Experiment, I was a little bit excited, to say the least. And then this song came out, and something just clicked. “Sunday Candy” is just delightful to listen to. Chance’s voice blazes through a feel good song with a wonderful backup from the talented Social Experiment.

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Ramblings on Criticism

Written by: Tom Blaich

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Recently an interesting thought came to mind. I’m a critic, for better or for worse, and it makes me think about the media that I consume in an interesting way. I can’t help myself but look for symbolism and deeper meanings within work, and there is something amazing about discussing them with my friends.

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To Pimp A Butterfly - Review

Written by: Tom Blaich

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Kendrick Lamar is a powerhouse of West-coast rap, and his new album,
To Pimp a Butterfly, just reinforces this idea even more. After Good Kid M.A.A.D City, fireball debut in 2012, fans were left wondering, could Lamar top this effort, and after three years of waiting, that question can be answered.

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