Death of the Critic

Electrosoul

D.T.S.N.T - Review

Written by: Tom Blaich

DTSNT


After hearing the beat on Drake’s “Weston Road Flows” and finding out that the young artist who had created it was putting out their debut E.P, I knew that I had to give it a listen. Hearing it was familiar. The sound reminded me of the Drake track, but also of so many more that came before it. Smoky vocals and a muted beat carry through the album, with a few hints of something unique that manage to surface around the edges. Heavily inspired by recent trends in electronic music, the R&B infused beats ultimately fail to stand out as anything more than a novelty.

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Starboy - Review

Written by: Tom Blaich

Starboy_Cover


It is hard to capture lightning in a bottle. Even harder is to do it more than once. With Starboy, Abel Makkonen Tesfaye, aka The Weeknd, tried to follow up the smash success of last year's Beauty Behind the Madness, but amidst his ruminations on fame, sex, and drugs, he forgot what made the last project so great. Starboy is, at it's heart, stagnant; a too long collection of well-produced, pop/electrosoul tracks that fail to go anywhere new in their quest to make more chart topping hits. You can clearly see the Daft Punk influence, and the appearance by both Kendrick Lamar and Lana Del Rey stand out as highlights. The songs sound good, but they have lost some of that raw, emotional quality that felt so great, and instead take on a more manufactured feel that brings the album down.

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